Staging, cast and production

The opera will be realised in several sections during a two year period beginning with a winter solstice concert where “Lullaby at Sunrise” was performed, and the next step is likely going to be the church opera “Elise’s Funeral” followed by a few other productions before it finally will become a full-length opera.

1st chamber opera: “Elise’s Funeral”

The opera is situated in Elise’s funeral in which she herself is a soloist singer. There will be flashbacks to her childhood (“Lucia“), her youth during which she suffered from an eating disorder (“Duet of Bones“), her recurring substance abuse and abstinences (“Heroin“), her death (“Lullaby at Sunrise“) and finally we are back to the funeral during which she performs “Elise’s Lament“.

• Roles for singers
• Acting musicians
• Timeline of production

Roles for singers

• Elise (soprano)
• Elise’s mother (mezzo-soprano)
• Joakim (tenor)
• Anorexia (bass/baryton)

Elise, a young, talented and beautiful singer is characterized with being angel-like from the outside, but her soul is dark and numb, and she nourishes a death-wish but also a wish to always remain a child, she romanticizes anorexia and bodilessness while engaging in debauchery. The role’s tessitura and melodic style will vary with her age and with her deterioration.

Elise’s mother is warm and loving, but she essentially forsakes Elise by focussing on her success rather than the whole person. Her parts of the aria will be more harmonic, motherly and reassuring than those of Elise.

Joakim is Elise’s boyfriend. His role is sung by a tenor, and his vocal and melodic style will be hectic and rythmic, mirroring his roots in art rock and alternative subcultures.

Anorexia is embodied by a bass/baryton dressed in black. He is perhaps invisible to Elise, nevertheless he controls her. His singing will be dark, seductive and alluring.

Musicians

• One plucked instrument (theorbo, harp, lyre, lute)
• One bowed or wind instrument (cello, double bass, horn)
• One melodic percussion instrument og keyboard instrument (piano, santur, vibraphone)
• Church organ

This will be discussed with the hosting / collaborating instutution(s).

The musicians can be integral to the action on stage. Their roles may change with the imagined changes of scenery, and they may have occasional spoken and / or sung lines which could eccho things said by other characters in the story, and also Elise’s subconscous thoughts and even her addiction. Using simple costume changes such as hoods and coats, along with smart lighting, their function as accompanying characters may change.

Timeline of production

The production will proceed in several stages. The first will be to finallize a vocal study / aria for Elise and piano. Secondly, a short chamber version will be produced consisting of 1 aria and 3 duets with recitative and instrumental parts in between. After the chamber opera has premiered we will develop the work into a full-length opera.

• Vocal work by xxxx.
• Piano scores and study material for the chamber opera will be submitted xxxx
• The final scores and parts will be submitted by xxxx
• The premiere and further performances take place in xxxx.
• Further development into a full-length opera, funding-dependent.
• Festival-showings and workshops along the way.

During each stage we will collaborate with the designated artistic team and cast and find a direction together.

About the librettist – About the composer – About the staging – Work samples – libretto – Work samples – music – Documents – Contact – Go to top – Go to bottom

Example Scenes

Heroin Chic has religious undertones, and in the Christmas segment we explore “advent” as a framework for waiting for redemption – which is what Elise does when she’s hunting for a new dose. Elise’s sense of time running out, and wasted years, become clearer in a quiet advent season. In addition, Christmas reinforces the contrast to Elise’s memories of her happy childhood, and her loneliness and alienation. When Elise finally gets the shot, Elise comes as a child and wraps the adult Elise in a blanket. She sings an aria that symbolically points to Elise’s fall to the underground, while the soaring song and the child singer in a beautiful Christmas dress, contrasts it.

(…)

Work samples – Libretto

The following text samples are in Norwegian, but we trust that you will still be able to grasp their meaning, richness of symbols and musicality. We will discuss the issue of language with you should we get the project. We are open to many solutions, be it German language with help from a translator (in this case perhaps the translator of the German edition of the novel might offer some advice), an English version, or keeping it in Norwegian with subtitles.

• Lucia – a duet between Elise as a child and her mother
• Duet of Bones – a duet between Elise and Anorexia
• Heroin – a duet between Elise and Joakim
• Elise’s Lament – an aria sung by Elise
• Lullaby at Sunrise – an aria sung by Elise

Lucia – a duet between Elise and her mother

Roller: Elise som barn. rundt 11 år; moren hennes 
Roles: Elise as a child, around 11 years old; her mother 

Elise
Er jenta som leker med støv
med pulver og ulver
og brennende løv
Så skjør at jeg ikke kan falle
Sykest og sterkest av alle
 
Moren / The mother
Elise, du lille, du lyse
Nå må du ikke fryse
Skjelver du, lille alv
Ikke velt nå, ikke fall
 
Elise
Har en stemme som lyser
Og lyskrans, men jeg fryser
Jeg stråler og skinner
Gløder og tindrer
 
Og likevel er jeg kald
Et tomt og tindrende skall
Jeg vil være flink og snill
Men er snart iskald av ild
 
Moren / The mother
Ingenting er farlig
Bare du går varlig
Lister deg lett på tå
Svever, mer enn å gå
 
Ikke glippe, ikke tippe
Fremfor alt ikke slippe
Jeg holder vakt over deg mens du sover
Jeg passer på deg, jeg lover
 
Elise
Kan du pakke meg inn i et pledd?
Jeg lover, jeg er ikke redd
Jeg er din lille prinsesse og alv
Selv om hånda mi skalv
 
Moren / The mother
Hånda mi er åpen og hul
Der skal jeg holde deg, lille fugl
Passe på deg til du dør
Som prinsesser alltid gjør

Knokkelduett (Duet of Bones) – a duet between Elise and Anorexia

Roller: Elise, tretten år; Spiseforstyrrelsen, svartkledd skikkelse
Roles: Elise, around 13 years old; Anorexia, a person dressed in black

Elise
På bildet på peisen i stua
Er jeg den søteste, lille Lucia
Så vever og lys og lett
En skinnende vinner på stett
 
Nå vokser jeg ut av rammen
Hoftene, brystene, skammen
Jeg vet ikke hvor jeg skal gå
Jeg er vel en stor jente nå
 
Spiseforstyrrelsen / Anorexia
Du kan alltid være Lucia
Med hellig Anorexia
Hun skinte, men ble til slutt blind
Lys kropp og evig mørkt sinn
 
Det er et valg du kan velge
Å lukke munnen og svelget
Å si nei til sanselig næring
Og ja til din egen fortæring
 
Elise
Ikke jente, ikke ennå en kvinne
Et gap hvor jeg bare kan svinne
Et tomrom, uendelig hvelv
Hvor jeg legger fra meg meg selv
 
Å bli høy på å være svimmel
Synke mot en høyere himmel
Kledd i en kjole i hvitt
Sollys og små hvite snitt
 
Spiseforstyrrelsen / Anorexia
Kledd for bryllup, dåp og begravelse
En lyskrans rundt din begavelse
Flammen er blek og blå
Det er et tall på din nakne tå
 
Og tallet er lavt må du vite
Under førti, for dette er ritet
Vinneren sulter i hjel
En sjel uten kropp, en kropp uten sjel
 

Heroin – a duet between Elise and Joakim

Roller: Elise, begynnelsen av 20-årene; kjæresten Joakim
Roles: Elise, in the beginning of her twenties; her boyfriend Joakim

Elise
Flammen under en skje
Som jeg koker løsningen med
Putrer og sitrer
Mens pulsen forvitrer
 
Jeg vil ikke ha alibier
Må se om det er som de sier
At dopet i årene tørker ut tårene
Aldri mer saltvann i sårene

Joakim
Jeg trodde vi kunne røyke og loke
Ikke junke det, ikke koke
Jeg trodde det holdt med folie
Men du var stressa, urolig
 
Å deale med dealere
Er ikke for tvilere
Du vil ha det mørkt og hardt
Brenne skjea helt svart
 
Elise
Følg blodsporene dit jeg ligger
Som en bikkje som tigger
Det er kanskje litt her til deg
Jeg deler med alle, jeg
 
Tornerose fikk et lite stikk
Hun sovnet mens årene gikk
Kyss meg så kanskje jeg våkner
Eller kanskje du også slokner

Elises klage (Elise’s Lament) – an aria performed by Elise

Roller: Elise, voksen, 25
Roles: Elise, adult, 25

Når jeg er lagt i jord
Solist i mitt eget begravelseskor
Liksminke, klede i hvitt
Over min rå appetitt
 
Glem meg, glem meg
Glem mitt svinnende selv
Men husk dette
Husk mitt farvel
 
Er skåret ned til knokler, ben
Markspist og endelig ren
Ribbet for svor, flesk og fett
Dø ung, bli et vakkert skjelett
 
Glem meg, glem meg
Glem mitt svinnende selv
Men husk dette
Husk mitt farvel
 
Et sprøytestikk i huden
Og så bli til himmelbruden
Gift i årene og i hodet
Den siste nattverd i blodet
 
Glem meg, glem meg
Glem mitt visnende selv
Men husk dette
Husk mitt farvel

Voggesang ved soloppgang (Lullaby at Sunrise) / Gi meg solen (Give me the sun) – an aria performed by Elise

Roller: Elise, voksen, 25
Roles: Elise, adult, 25

Sola er tung og den synker
Feit og slapp, men jeg synger
Min egen voggesang
Sopran ved soloppgang
 
I begynnelsen var moren
Og moren er støvet og jorden
Stikk hull i meg med nålen
La det bli lys inn i åren
 
Ligger i sengen med mamma
Blir bysset og lullet og ammet
En sprøyte er navlestrengen
Hun nærer meg med den i sengen
 
I mørket skal sola forlise
Og jeg skal slukne i lyset
Skyt meg opp som et stjerneskudd
Gi meg solen, når den har snudd

Nå stiger solen
Den blender meg
Den skjærer meg
Åh mamma, mamma!
Gi meg solen når den har snudd!
Gi meg solen, gi meg solen!
Gi meg (solen)

About the librettist – About the composer – About the staging – Work samples – libretto – Work samples – music – Documents – Contact – Go to top – Go to bottom

Work samples: Music

• The overdose aria Voggesang ved soloppgang
• Five Songs of the Bodied
• Love Theme
• Sun + Skyman
• Reel / Presentation

The overdose aria Voggesang ved soloppgang (Gi meg solen)

First aria from the project, from the scene where Elise asks her mother to give her a heroin injection, resulting in an overdose. PS the piano part has evolved a bit since the recordning and creds are due to the santurist who made his own part based on a simple score.

Performed by:

Susanna Wolff (soprano)
Mirsaeed Hosseiny Panah (santoor)
Visobel Black (violin)
Sverre Indris Joner (piano)

Librettist: Maria Kjos Fonn
Composer: Solveig Sørbø

Audio (stream or download): https://s.disco.ac/lnybmcwgvzxu

From the lyrics:

Nå stiger solen (The sun rises)
Den blender meg (It blinds me)
Den skjærer meg (It aches me)
Åh mamma, mamma! (Oh, mother, mother!)
Gi meg solen når den har snudd! (Give me the sun when it turns!)

Five Songs of the Bodied

Five Songs of the Bodied is a minimalist song cycle for voice and piano. Originally conceived for contratenor in order to reflect the frailty of the men, and their wish to be remembered as innocent boys, it has been arranged for a mezzo-range voice and piano, performed by Susanna Wolff and recorded in Hawk Studios.

Five Songs of the Bodied is inspired by stories of Syrian men who have committed, witnessed or been victims of (sexual) violence between men, something that is associated with both trauma and shame. The songs are nevertheless abstracted to apply to more general agonizing regret and the existential crisis that may follow – quite relatable emotions and states of mind to many. The song (Nothing) mentions a number of definitions of nothingness, as found in philosophy, mathematics and theology.

(Nothing)

Do you own the key to infinity?
Is there such a thing as a void?
What do they call an empty set?
Nothing. Nothing

Is it God or is it godless?
Antithetical to pure being
What is devoid of properties?
Nothing. 
Nothing. Nothing.

Nothing. 
Nothing!

Performed by: Susanna Wolff (soprano) and Solveig Sørbø (piano)

Words and music by: Solveig Sørbø

Film by: Mali Galaaen Røsseth

Mixed by: Åse Ava Fredheim

Files

View / Download scores here: https://www.dropbox.com/sh/qyi44imnx4q8d74/AACmZg8InDLoPFAB-3HlcWSTa?dl=0

Stream / Download audio here: https://s.disco.ac/hnvmseskeubu (it has not been mastered yet)

Love Theme

Love Theme was originally composed for the film Hans pluss Liv (NRK – Norwegian National Broadcast), but this new arrangement has been written for Arve Tellefsen and a small ensemble. In it Solveig Sørbø employs different timbres of the guitar mixed with warm cello and impressionist piano to accompany the ageing star violinist’s passionate musicianship.

Sun + Skyman

In Sun + Skyman Solveig Sørbø blends acoustic and electronic instruments, different tonalities, modes and textures. Link to the audio here.

Solveig Sørbø – Reel / Presentation

In this 4 minute video you get a quick impression of Solveig Sørbø as a composer.

About the librettist – About the composer – About the staging – Work samples – libretto – Work samples – music – Documents – Contact – Go to top – Go to bottom

Accompanying documents / samples

• Prosjektbeskrivelse på norsk rettet mot DNO&B
• Solveig Sørbø’s CV
• Maria Kjos Fonn’s CV
• Scores for Five Songs of the Bodied (Dropbox folder with PDFs, no log-in required)
• Work samples – Libretto (view / download from GoogleDoc, no log-in required)
• CV’s of participants
• Open the section “Work samples – Libretto” in a new tab
• Open the section “Work samples – Music” in a new tab

Contact information

Composer
Name: Solveig Sørbø
Phone number: +4745095002
E-mail: sol@solveigsorbo.com
Address: Solveien 45a, 1177 Oslo, Norway

Librettist
Name: Maria Kjos Fonn
E-mail: mkfonn@gmail.com
Address: Sandefjordgata 5E, 0464 Oslo, Norway

About the librettist – About the composer – About the staging – Work samples – libretto – Work samples – music – Documents – Contact

Please note!: This is an unlisted page which includes original text an unfinished audio, and it is not intended for public circulation. Thanks for your understanding. Please do get in touch if you have any queries: sol@solveigsorbo.com // +4745095002.

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